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As the first woman to serve as director of the Smithsonian’s National Portrait Gallery, Kim Sajet has been exploring new ways to place personal experience and creativity at the center of learning and civic awareness. Not just a place to see famous Americans, the museum explores identity as a social construct that has been shaped in equal measure by opportunity and ability, prejudice and fear. By taking a cross-disciplinary approach that merges the traditional forms of painting, sculpture, drawing and printmaking with poetry, installation art, video and performance, Sajet aims to make the past personal and deepen our understanding of how people have changed the course of history. Before her current appointment, Sajet was the president and CEO of the Historical Society of Pennsylvania, the vice president and deputy director of the Pennsylvania �����Ƶ of the Fine Arts and the director of corporate relations at the Philadelphia Museum of Art. Arriving in the United States with her family in 1997, she served first as curator and then as director of two Australian art museums from 1989 until 1995. Born in Nigeria, raised in Australia and a citizen of the Netherlands, Sajet brings a global perspective to the position. She earned a doctorate in liberal studies from Georgetown University, a master’s degree in art history from Bryn Mawr College, a master’s degree in business administration from Melbourne University Business School in Australia, a bachelor’s degree in art history from Melbourne University and a graduate diploma in Museum studies from Deakin University in Australia. She has completed arts leadership training at the Harvard Business School, the Getty Institute and National Arts Strategies. In addition to arts management experience, Sajet has written a number of scholarly publications, curated exhibitions and spoken at academic symposia around the world. Since June 2019 she has been the host of the PORTRAITS podcast where “art, biography, history and identity collide,” interviewing artists, scholars and thought leaders about the intersection between portraiture and culture. Her current interests include early photography, social reformers of the nineteenth century, semiotics, identity politics and the significance of celebrity culture in U.S. history.